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Rhaune Laslett : ウィキペディア英語版
Rhaune Laslett
Rhaune Laslett (15 April 1919 – 28 April 2002)〔(Rhaune Laslett O'Brien – The mother of Notting Hill Carnival )〕 was a community activist and the principal organiser of the Notting Hill Fayre or Festival, that evolved into the Notting Hill Carnival. As Gary Younge has written, Laslett "spoke to the local police about organising a carnival early in 1965. With more of an English fete in mind, she invited the various ethnic groups of what was then the poor area of Notting Hill - Ukrainians, Spanish, Portuguese, Irish, Caribbeans and Africans - to contribute to a week-long event that would culminate with an August bank holiday parade....She borrowed costumes from Madame Tussaud's; a local hairdresser did the hair and make-up for nothing; the gas board and fire brigade had floats; and stallholders in Portobello market donated horses and carts. Around 1,000 people turned up, according to police figures."〔Gary Younge, ("The politics of partying" ), ''The Guardian'', 17 August 2001.〕
==Biography==
Rhaune Laslett was born in the East End of London to a Native American mother from North Carolina and a Russian father.〔Abner Cohen, ('' Masquerade Politics: Explorations in the Structure of Urban Cultural Movements'' ), University of California Press, 1993, p. 10.〕
In 1947 she married an Australian artist and was divorced five years later. In 1960 she was a matron of the Pixie Hollow home in Grove Road Ramsgate, Kent.〔("Rhaune Laslett O'Brien Baby Farming Trial Grove Rd Ramsgate Kent article 1960" )〕
She set up the Children's Play Group at 34 Tavistock Crescent that was visited on 15 May 1966 by Muhammad Ali prior to his fight against Henry Cooper.〔(An historical and psychogeographical report on Notting Hill ) compiled by Tom Vague for HISTORYtalk. Chapter 10 – Dancing in the Street 1966/67.〕
She became president of the London Free School,〔 organised by a coalition of local activists, including some emerging underground artists of the area, particularly John "Hoppy" Hopkins. The aims of the school were "to promote cooperation and understanding between people of various races and creeds through education and through working together".〔''Kensington News'', 23 July 1966.〕 John Michell and Michael X provided 26 Powis Terrace as a base and the idea was born of a free festival, which became the Notting Hill Carnival.〔Jeff Dexter interview - (Notting Hill Carnival grew out of London Free School ). Djhistory.com.〕
In a series of articles to newspaper correspondents and in ''The Grove'' (newsletter of the Free School),〔Cohen (1993), p. 11.〕 Laslett outlined the aims of the festival – that the various culture groups of Notting Hill become more familiar with each other's customs, to bring more colour and life to the streets and to counter the perception of the area being a run-down slum. As she stated to ''The Grove'', “We felt that although West Indians, Africans, Irish and many other nationalities all live in a very congested area, there is very little communication between us. If we can infect them with a desire to participate then this can only have good results.” The "Notting Hill Fayre and Pageant", or the London Free School Fair, was held over a week from 18 September 1966,〔(Colville Community Forum. )〕 and, as well as featuring a pageant that included "a man dressed as Elizabeth I and children as Charles Dickens characters", there was "a Portobello parade consisting of the London Irish girl pipers, a West Indian New Orleans-style marching band, Ginger Johnson’s Afro-Cuban band, and Russell Henderson’s Trinidadian steelband from the Coleherne pub in Earl's Court, followed by a fire engine".〔("1966 London Free School Michaelmas Fayre" ), Portobello Film Festival.〕
Out of the new-found energy in and around the Free School, and George Clark's work to establish the Community Workshop, Laslett established the Notting Hill Neighbourhood Service, one of the first voluntary services to offer free legal and drugs advice as well as an all-round welfare service.〔(''International Times'' ), 30 May 1968.〕 The work of the service is featured in a chapter of the book ''Drop Out'' by Robin Farquharson.〔Robin Farquharson, ''Drop Out!'' London: Blond, 1968, p. 84. ISBN 0-218-51453-0〕

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